Houston’s ArtCrawl Notables
Saturday November
23, 2013 ArtCrawl in Houston was very cold, but well attended. I had a lot of fun making the ArtCrawl walk this year; for the previous three years I have been exhibiting in ArtCrawl from my old studio on Commerce Street.
My main criticism of the artists exhibiting this year was that most of the art studios were too clean. ArtCrawl is about getting to see the artist in their own habitat; it’s about seeing the artist’s work space along with the new works. I also want to see lots of artwork. I don’t want to see five pieces evenly spaced on the wall, I want to see the wall packed floor to ceiling.
I’ve cherry picked a few ArtCrawl notables to focus on
this year. I saw works by hundreds of
hard working artists, but I’m only mentioning a few that stood out. This year Mother Dog Studios has a snake theme. Besides works about snakes, there was also a display of live snakes.
John C. Runnels (Mother Dog Studios) |
John C. Runnels (Mother Dog Studios)
John Runnel's work this year captured my attention with a series of nude women in rows. Most were conventionally framed, but several were framed behind glass oven doors. Each piece felt very unique even though they all shared similar subjects and composition.
Runnels space was wonderfully messy and full of new work and works in progress.
Runnels space was wonderfully messy and full of new work and works in progress.
Lori Fish (Mother Dog Studios)
My favorite studio space belonged to Lori Fish. This is exactly what I'm looking for when I attend ArtCrawl. The real fun of ArtCrawl is getting to peak behind the current and see how artist actually make the peices. To the right you can see the results of Fish's efforts. I like these pieces because they suggest that the painter is after some ineffable mystery. This series is loose and full of experimentation and exploration.
Zanzibar AKA Rudy
(Mother Dog Studios)
Airbrush artist, Zanzibar was on site airbrushing a mostly
nude woman. He airbrushed a snake on the
body of a young woman. I know Zanzibar
from his fine airbrush work in the photography of Rabid Girlscout. Zanzibar's airbrush painting is very detailed and full of depth.
Louise Schlachter (Mother Dog Studios) |
Louise Schlachter
(Mother Dog Studios)
Louise Schlachter was showing a number of beautiful
prints on metal or Moths, “Petit Mort Moths.”
The works begin with Schlachter layering iridescent inks on smooth clay
boards. She then Scratch & Dents at
the surface with an XACTO knife, pens and pencils to reveal the months
enigmatic markings. The clay tablets were then photographed and “printed” at greater magnification onto large metal sheets. Schlachter says she’s exploring the shadow of death and reincarnations; the result are crisp and luminescent. Normally printing an image yeilds a simple copy; however, here Schlachter's printing process enriches image bringing out the luninecence of the moths. While I thought the orignalls were beatuifully etched, the enlarged "copies" yeilded pieces that are simply arresting.
Greg Sheperd (Mother Dog Studios)
This large portrait by Greg Shepherd caught my eye while wandering about Mother Dog Studios.In contrast to some of Shepherd’s other paintings, this one seemed especially bright and airy. The painting looked good close up, and the image seemed to tighten and sharpen when viewed from a distance. I especially enjoyed the pointillism technique employed in the piece.
Greg Sheperd (Mother Dog Studios) |
Brent Hooper (Sterrett Street Studios)
|
Brent Hooper (Sterrett Street Studios)
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Brent Hooper (Sterrett Street Studios)
Brent Hooper works on large canvas with a nice loose style of painting. Hooper says he's looking to work on bigger paintings. I liked Hooper's loose style of painting. His pieces really challenge the veiwer, begging to be decyphered.
To right we have one of Hooper's paintings depicting a stained glass window.
Brent Hooper (Sterrett Street Studios)
|
Brent Hooper (Sterrett Street Studios)
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Lululin Art (Atelier & Gallery Jacquinet) |
Lululin Art
(Atelier & Gallery Jacquinet)
Lululin Art is a painting team made up of two young
women. Their latest works are more
sensual and suggestive; however, these two older paintings grabbed my
attention. The images harken back to a time long ago. A Chinese friend told me that the red scarf
and hat are reminiscent of olden times; he also noted that some young Chinese
today wear some of these retro outfits as a matter of fashion. Both of these images by one of the Lululin
team are charged with meaning and significance.
These portraits suggest a story of some complexity. The also remind me
of the paintings of Edward Hopper.
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